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Este nombre refleja la filosofía de la bienal: explorar los momentos de transición y cambio donde lo que parecía estable deja de serlo, y el futuro aún no se puede definir con claridad.",[],{"_key":706,"_type":18,"children":707,"markDefs":719,"style":26},"2ebdf9d3431b",[708,712,715],{"_key":709,"_type":22,"marks":710,"text":711},"fd23643c372d",[],"La directora artística, Amanda Masha Caminals, explica: “",{"_key":713,"_type":22,"marks":714,"text":699},"feff59a4815b",[698],{"_key":716,"_type":22,"marks":717,"text":718},"24aeb8c4b933",[]," propone aceptar la incertidumbre como terreno de acción, sin resignarse a esperar la catástrofe. La Bienal concibe el arte como guía de paso, capaz de abrir preguntas, señalar fricciones y proponer modos sensibles de orientarse en escenarios donde no existen mapas definitivos”.",[],{"_key":721,"_type":18,"children":722,"markDefs":727,"style":26},"bd30b787641f",[723],{"_key":724,"_type":22,"marks":725,"text":726},"e968ca2784f8",[],"Durante más de tres meses, Avilés se transformará en un escenario abierto a exposiciones, encuentros, talleres y acciones performativas que conectan arte, industria y territorio. La primera edición se desplegará en 8 espacios expositivos, confirmados hasta la fecha, y otros espacios públicos, incluyendo proyectos de arquitectura participativa, programas educativos y actividades comunitarias, invitando a experimentar nuevas formas de convivencia y cuidado frente a los retos ambientales y sociales.",[],{"_key":729,"_type":18,"children":730,"markDefs":735,"style":26},"b9464e53bf05",[731],{"_key":732,"_type":22,"marks":733,"text":734},"44231eef7994",[],"",[],{"_key":737,"_type":18,"children":738,"markDefs":758,"style":759},"ff307715d4f2",[739,743,747,751,754],{"_key":740,"_type":22,"marks":741,"text":742},"789b5222f9cf",[689],"Texto curatorial y conceptualización del título de la",{"_key":744,"_type":22,"marks":745,"text":746},"d2e62cee4097",[]," ",{"_key":748,"_type":22,"marks":749,"text":750},"db6b6aea5fe7",[689],"1.ª",{"_key":752,"_type":22,"marks":753,"text":746},"2c10d92550a1",[],{"_key":755,"_type":22,"marks":756,"text":757},"c862b749df29",[689],"edición",[],"h3",{"_key":761,"_type":18,"children":762,"markDefs":766,"style":759},"4fade77ecb27",[763],{"_key":764,"_type":22,"marks":765,"text":699},"b1b84bca2da2",[689,698],[],{"_key":768,"_type":18,"children":769,"markDefs":774,"style":26},"ed90c32b6233",[770],{"_key":771,"_type":22,"marks":772,"text":773},"d22cb4701f2d",[],"Las sociedades no cambian siguiendo trayectorias claras o recorridos únicos. Las transformaciones profundas —ecológicas, sociales, tecnológicas, culturales— se viven más bien como el cruce de umbrales: momentos de inestabilidad en los que lo que parecía sostener el mundo deja de hacerlo y lo que vendrá aún no puede formularse con nitidez. Habitamos un tiempo de transiciones múltiples, donde el clima no remite sólo a la atmósfera y a sus alteraciones físicas, sino también al clima social que respiramos: las formas de convivencia, de conflicto, de cuidado y de imaginación colectiva que atraviesan nuestras vidas. No habitamos un solo clima, sino muchos climas superpuestos: ambientales, sociales, políticos, afectivos y espirituales, que nos atraviesan y nos transforman.",[],{"_key":776,"_type":18,"children":777,"markDefs":782,"style":26},"b7c1281856db",[778],{"_key":779,"_type":22,"marks":780,"text":781},"2eada4356b73",[],"Desde tiempos ancestrales, el arte ha acompañado este tipo de momentos. Mucho antes de convertirse en disciplina o institución, ha sido y es una de las prácticas humanas fundamentales para atravesar el cambio: rituales, imágenes, relatos y gestos que han ayudado a múltiples y diversas comunidades a reorganizar su relación con el territorio, con el tiempo, con lo desconocido. En civilizaciones antiguas y saberes vernáculos contemporáneos, las prácticas artísticas se vinculan a los ciclos climáticos o a la construcción de vínculos entre lo humano y lo no humano. En todos estos contextos y a través de los siglos, el arte no ha ofrecido soluciones técnicas o respuestas nítidas, pero sí orientación difusa.",[],{"_key":784,"_type":18,"children":785,"markDefs":790,"style":26},"4dd45d62b1c0",[786],{"_key":787,"_type":22,"marks":788,"text":789},"f85762f01499",[],"La Bienal Climática concibe el arte como una práctica de acompañamiento en la que las y los artistas operan como guías de paso, capaces de abrir preguntas, señalar fricciones, mostrar lo oculto o proponer modos sensibles de orientarse en escenarios donde no existen mapas definitivos. Frente a un relato dominante que insiste en el agotamiento social y el colapso ambiental como lo esperado, la Bienal Climática apunta, a través del arte, hacia una energía contraria: modos de pensar y hacer que ensayan presentes más justos y habitables.",[],{"_key":792,"_type":18,"children":793,"markDefs":813,"style":26},"36bf06ed54cc",[794,798,802,806,809],{"_key":795,"_type":22,"marks":796,"text":797},"01f6f09a1b48",[],"Bajo el título ",{"_key":799,"_type":22,"marks":800,"text":801},"71b6e1f73ea4",[698],"Ensayar lo inesperado,",{"_key":803,"_type":22,"marks":804,"text":805},"98b52e92f551",[]," la primera edición de la Bienal Climática señala la posibilidad de crear espacios de encuentro, escucha y experimentación a través del arte, capaces de sobreponerse a la urgencia ambiental o la polarización. “Ensayar” se plantea aquí como un aprendizaje compartido, un gesto que se despliega en acción y en diálogo con otros. “Lo inesperado” abre un campo de posibilidades: prácticas, imaginarios y modos de vida que surgen del presente y proyectan nuevas formas de habitar juntas/os el mundo. 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La aproximación al contexto se ha construido de forma colectiva desde la escucha y el diálogo, a través de herramientas como una cartografía crítica elaborada por la artista Elisa Cuesta o de procesos de mediación cultural con organizaciones locales guiada por la investigadora comisarial Zoe López y del propio proceso creativo de distintas artistas, acompañado por esta dirección artística y las investigadoras comisariales Carla Jaria y Elena Mataix. Desde este enfoque, la bienal no se entiende como un dispositivo que impone un relato o un nuevo proyecto, sino como un medio reactivo que acompaña y amplifica lo que ya está en marcha.",[],{"_key":823,"_type":18,"children":824,"markDefs":844,"style":26},"f82fa410fc6d",[825,829,832,836,840],{"_key":826,"_type":22,"marks":827,"text":828},"9d8226f40dd0",[],"A partir de estos ejercicios de aproximación al contexto local y de atención al momento global, ",{"_key":830,"_type":22,"marks":831,"text":699},"7498a60957ee",[698],{"_key":833,"_type":22,"marks":834,"text":835},"b62747e5ecca",[]," presenta exposiciones distribuidas en 11 sedes confirmadas de Avilés y su entorno, y un programa público que activa diversos espacios del territorio. Además, propone otras líneas de trabajo que amplían su alcance: la reconversión de equipamientos públicos a través de proyectos de arquitectura participativa, el acompañamiento a prácticas comunitarias en el ámbito rural con la investigación ",{"_key":837,"_type":22,"marks":838,"text":839},"f507105336af",[698],"En Colectivo",{"_key":841,"_type":22,"marks":842,"text":843},"cb74c41bd3dd",[]," y experimentos de arte+educación.",[],{"_key":846,"_type":18,"children":847,"markDefs":859,"style":26},"b3b73056a872",[848,852,855],{"_key":849,"_type":22,"marks":850,"text":851},"f2a1b6164786",[],"Con esta diversidad de líneas de trabajo, ",{"_key":853,"_type":22,"marks":854,"text":699},"24cfeda974e7",[698],{"_key":856,"_type":22,"marks":857,"text":858},"8bd37e1bbbe7",[]," pretende ampliar el alcance temporal del formato bienal. El trabajo con las y los artistas se ha desplegado en distintas temporalidades que exceden el marco del evento. En un compromiso con la práctica y experimentación artística, la bienal lanza un programa de producción ACTS (arte, ciencia, tecnología y sociedad). Se vincula también con la Colección Estatal de Arte y Clima con la incorporación de obras de la bienal al acervo. Además, incorpora adaptaciones de proyectos en marcha o procesos de creación en estados muy iniciales y cuyo desarrollo excederá la clausura de la primera edición de la bienal. ",[],{"_key":861,"_type":18,"children":862,"markDefs":870,"style":26},"1c73a797fc0d",[863,866],{"_key":864,"_type":22,"marks":865,"text":699},"3d681b5674c8",[698],{"_key":867,"_type":22,"marks":868,"text":869},"54b02724d662",[]," propone así un ejercicio de “andar en constelación” que no se ciñe a un tiempo y rumbo únicos, atendiendo a las relaciones que nos sostienen y a los saberes que emergen en el tránsito. Las constelaciones no señalan un destino final: permiten orientarse mientras se avanza, manteniendo vivos los vínculos entre cuerpos, territorios, prácticas y tiempos diversos.",[],{"_key":872,"_type":18,"children":873,"markDefs":938,"style":26},"d640a8887b6c",[874,878,881,885,889,893,897,901,905,909,912,916,919,923,926,930,934],{"_key":875,"_type":22,"marks":876,"text":877},"99ace2e5f862",[],"A través de estas constelaciones expositivas, de programas públicos, educativos o de transformación de equipamientos públicos, la ",{"_key":879,"_type":22,"marks":880,"text":699},"86ba9dc41db5",[698],{"_key":882,"_type":22,"marks":883,"text":884},"40b232e88bef",[]," reúne a más de cuarenta artistas y colectivos, cuyas obras se despliegan en contextos urbanos, periurbanos y rurales en tres ejes temáticos: ",{"_key":886,"_type":22,"marks":887,"text":888},"05c9441025e3",[698],"Estación Meteo",{"_key":890,"_type":22,"marks":891,"text":892},"714bb113d197",[],", ",{"_key":894,"_type":22,"marks":895,"text":896},"62f810f7b27a",[698],"Industrias Presentes",{"_key":898,"_type":22,"marks":899,"text":900},"e36b2ad5cf1a",[]," y ",{"_key":902,"_type":22,"marks":903,"text":904},"6dd41e0ccd5f",[698],"Duelos y Júbilos.",{"_key":906,"_type":22,"marks":907,"text":908},"1438dc7d939f",[]," De un lado, ",{"_key":910,"_type":22,"marks":911,"text":888},"df8505494351",[698],{"_key":913,"_type":22,"marks":914,"text":915},"9086325ff21f",[]," propone nuevas formas de observar, interpretar y comunicar lo atmosférico en un contexto de emergencia ambiental. Los proyectos de la ",{"_key":917,"_type":22,"marks":918,"text":888},"fb2f2a8ac445",[698],{"_key":920,"_type":22,"marks":921,"text":922},"9c19d52b3104",[]," surgen de residencias artísticas desarrolladas en diálogo con la Agencia Estatal de Meteorología (AEMET) y otros organismos científicos. De otro, Industrias Presentes indaga en el legado y futuros posibles de la mayor actividad humana hacedora de clima a nivel global, la industria. Distribuida entre espacios vinculados a la historia minera, industrial y productiva de Avilés, ",{"_key":924,"_type":22,"marks":925,"text":896},"feb12035e60c",[698],{"_key":927,"_type":22,"marks":928,"text":929},"ec1d3166f749",[]," reúne prácticas artísticas que examinan los imaginarios de progreso, transición energética y sostenibilidad, así como sus tensiones materiales, sociales y simbólicas. Por último, ",{"_key":931,"_type":22,"marks":932,"text":933},"5eb38453391d",[698],"Duelos y júbilos",{"_key":935,"_type":22,"marks":936,"text":937},"1e3810aab425",[]," se refiere a lo que nos sustenta física y espiritualmente, a la dimensión afectiva y sensible de las transiciones: aquello que se pierde, lo que duele, pero también lo que se celebra y se imagina colectivamente. ",[],{"_key":940,"_type":18,"children":941,"markDefs":946,"style":26},"feeaaf70988d",[942],{"_key":943,"_type":22,"marks":944,"text":945},"8809e10e4c3c",[],"Este conjunto diverso de prácticas —locales e internacionales, individuales y colectivas— y temas no proponen un relato único sobre el clima ambiental y social, sino un campo de relaciones donde arte, territorio y comunidad se entrelazan. La Bienal Climática se formula así como un espacio para ensayar otras formas de atención, convivencia y cuidado, entendiendo las transiciones no como un horizonte cerrado, sino como un proceso compartido que se construye en común.",[],{"_key":948,"_type":18,"children":949,"markDefs":954,"style":26},"df542f85a5b1",[950],{"_key":951,"_type":22,"marks":952,"text":953},"83a93ea0a5a3",[689],"Amanda Masha Caminals",[],{"_key":956,"_type":18,"children":957,"markDefs":962,"style":26},"5ecf30e0d475",[958],{"_key":959,"_type":22,"marks":960,"text":961},"e64f547e5e50",[689],"Directora Artística, Bienal Climática: arte, industria y territorio",[],[964,980,995,1003,1010,1031,1038,1046,1054,1062,1084,1092,1114,1129,1140,1210,1218,1225],{"_key":965,"_type":18,"children":966,"markDefs":979,"style":26},"0531f4a2cfbd",[967,971,975],{"_key":968,"_type":22,"marks":969,"text":970},"d5045c10cec9",[],"La Bienal Climática: arte, industria y territoriu va celebrar la so primer edición del 12 de xunu al 20 de setiembre del 2026 n’Avilés, Asturies, col títulu ",{"_key":972,"_type":22,"marks":973,"text":974},"792b0e9b902f",[689,698],"Ensayar lo inesperao",{"_key":976,"_type":22,"marks":977,"text":978},"907bd449ef9a",[],". Esti nome reflexa la filosofía de la bienal: esplorar los momentos de transición y cambéu onde lo que paecía estable dexa de selo, y el futuru tovía nun pue definise a les clares.",[],{"_key":981,"_type":18,"children":982,"markDefs":994,"style":26},"6ad5fbf53d84",[983,987,990],{"_key":984,"_type":22,"marks":985,"text":986},"d4b881d536e1",[],"La directora artística, Amanda Masha Caminals, esplica: “",{"_key":988,"_type":22,"marks":989,"text":974},"580c3e8e52fe",[698],{"_key":991,"_type":22,"marks":992,"text":993},"9d4e9b246c79",[]," propón aceptar la incertidume como terrén d’acción, ensin resignase a esperar la catástrofe. La Bienal concibe l’arte como guía de pasu, capaz d’abrir preguntes, señalar problemes y proponer maneres sensibles de movese n’escenarios onde nun existen mapes definitivos”.",[],{"_key":996,"_type":18,"children":997,"markDefs":1002,"style":26},"a26220e4bd70",[998],{"_key":999,"_type":22,"marks":1000,"text":1001},"b8bdbf4ab44b",[],"Por más de trés meses, Avilés va tresformase nun escenariu abiertu a esposiciones, alcuentros, talleres y acciones performatives que conecten arte, industria y territoriu. La primer edición va desenvolvese en diverses sedes espositives y espacios públicos, incluyendo proyectos d’arquitectura participativa, programes educativos y actividaes comunitaries, convidando a esperimentar formes nueves de convivencia y curiáu frente a los retos ambientales y sociales.",[],{"_key":1004,"_type":18,"children":1005,"markDefs":1009,"style":26},"6c2ab7dda844",[1006],{"_key":1007,"_type":22,"marks":1008,"text":734},"04b60fb50178",[],[],{"_key":1011,"_type":18,"children":1012,"markDefs":1030,"style":759},"c84766fbbfb6",[1013,1017,1020,1024,1027],{"_key":1014,"_type":22,"marks":1015,"text":1016},"d086a009f095",[689],"Testu curatorial y conceptualización del títulu de la",{"_key":1018,"_type":22,"marks":1019,"text":746},"4bf582a39d1d",[],{"_key":1021,"_type":22,"marks":1022,"text":1023},"94eb5e9166b8",[689],"1.er",{"_key":1025,"_type":22,"marks":1026,"text":746},"19f42faf9e51",[],{"_key":1028,"_type":22,"marks":1029,"text":757},"2654cad27798",[689],[],{"_key":1032,"_type":18,"children":1033,"markDefs":1037,"style":759},"3274888d0952",[1034],{"_key":1035,"_type":22,"marks":1036,"text":974},"c05d60bd8d33",[689,698],[],{"_key":1039,"_type":18,"children":1040,"markDefs":1045,"style":26},"9e25c33461f6",[1041],{"_key":1042,"_type":22,"marks":1043,"text":1044},"5763a8ff0e56",[],"Les sociedaes nun cambien siguiendo trayectories clares o percorríos únicos. Les tresformaciones fonderes —ecolóxiques, sociales, tecnolóxiques, culturales— vívense más bien como’l cruz de principios: momentos d’inestabilidá onde lo que paecía caltener el mundu dexa de facelo y lo que va venir tovía nun pue formulase a les clares. Vivimos un tiempu de munches transiciones, onde’l clima nun remite namás a l’atmósfera y a les sos alteriaciones físiques, sinón tamién al clima social que respiramos: les formes de convivencia, de conflictu, de curiáu y d’imaxinación colectiva qu’atraviesen les nuestres vides. Nun habitamos un clima namás, sinón munchos climes superpuestos: ambientales, sociales, políticos, afectivos y espirituales, que nos atraviesen y nos tresformen.",[],{"_key":1047,"_type":18,"children":1048,"markDefs":1053,"style":26},"e915674d85fa",[1049],{"_key":1050,"_type":22,"marks":1051,"text":1052},"793dac909f4f",[],"Dende tiempos ancestrales, l’arte acompañó esti tipu de momentos. Muncho primero de convertise en disciplina o institución, foi y ye una de les práctiques humanes fundamentales p’atravesar el cambéu: rituales, imáxenes, rellatos y xestos qu’ayudaron a munches y diverses comunidaes a reorganizar la so rellación col territoriu, col tiempu, colo desconocío. En civilizaciones antigües y saberes vernáculos contemporáneos, les práctiques artístiques vincúlense a los ciclos climáticos o a la construcción de vínculos ente lo humano y lo non humano. En toos estos contestos y al traviés de los sieglos, l’arte nun ufiertó soluciones técniques o respuestes nítides, pero sí orientación difusa.",[],{"_key":1055,"_type":18,"children":1056,"markDefs":1061,"style":26},"936e589cbe77",[1057],{"_key":1058,"_type":22,"marks":1059,"text":1060},"3e60022430cd",[],"La Bienal Climática concibe l’arte como una práctica d’acompañamientu onde les y los artistes operen como guíes de pasu, capaces d’abrir preguntes, señalar fricciones, mostrar lo oculto o proponer maneres sensibles d’orientase n’escenarios onde nun hai mapes definitivos. Énte d’un rellatu dominante qu’insiste nel agotamientu social y el colapsu ambiental como lo esperao, la Bienal Climática apunta, al traviés del arte, pa una enerxía contraria: maneres de pensar y facer qu’ensayen presentes más xustos y habitables.",[],{"_key":1063,"_type":18,"children":1064,"markDefs":1083,"style":26},"7f9e70f34d48",[1065,1069,1072,1076,1079],{"_key":1066,"_type":22,"marks":1067,"text":1068},"9b4029d17d25",[],"Col títulu ",{"_key":1070,"_type":22,"marks":1071,"text":801},"5cc9f554bae9",[698],{"_key":1073,"_type":22,"marks":1074,"text":1075},"7d05a7b49a48",[]," la primer edición de la Bienal Climática señala la posibilidá de crear espacios d’alcuentru, escucha y esperimentación al traviés del arte, capaces de sobreponese a la urxencia ambiental o la polarización. “Ensayar” plantégase equí como un aprendimientu compartíu, un xestu que se despliega n’acción y en diálogu con otros. “Lo inesperao” abre un campu de posibilidaes: práctiques, imaxinarios y maneres de vida que surden del presente y proyecten formes nueves d’habitar xuntes/os el mundu. ",{"_key":1077,"_type":22,"marks":1078,"text":699},"d537bee84ca4",[698],{"_key":1080,"_type":22,"marks":1081,"text":1082},"9f189032618d",[]," propón aceptar la incerteza como terrén d’acción, ensin resignase a esperar la catástrofe.",[],{"_key":1085,"_type":18,"children":1086,"markDefs":1091,"style":26},"5688d4f3d5ac",[1087],{"_key":1088,"_type":22,"marks":1089,"text":1090},"289269f550c0",[],"Na so primer edición, esti ensayu de lo inesperao despliégase de forma asitiada n’Avilés y en dellos enclaves rurales d’Asturies. Un territoriu atravesáu por una historia minera y industrial intensa, por procesos de reconversión y descarbonización tovía abiertos, y por ámbitos rurales que caltienen otres maneres de rellación cola tierra. L’averamientu al contestu construyóse de forma colectiva dende la escucha y el diálogu, al traviés de ferramientes como una cartografía crítica ellaborada pola artista Elisa Cuesta o de procesos de mediación cultural con organizaciones locales guiada pola investigadora comisarial Zoe López y del propiu procesu creativu d’artistes variaes, acompañáu por esta dirección artística y les investigadores comisariales Carla Jaria y Elena Mataix. Dende esti enfoque, la bienal nun s’entiende como un dispositivu qu’impón un rellatu o un proyectu nuevu, sinón como un mediu reactivu qu’acompaña y amplifica lo que yá ta en marcha.",[],{"_key":1093,"_type":18,"children":1094,"markDefs":1113,"style":26},"3fae5c4db356",[1095,1099,1102,1106,1109],{"_key":1096,"_type":22,"marks":1097,"text":1098},"adb1bc805602",[],"A partir d’estos exercicios d’averamientu al contestu local y d’atención al momentu global, ",{"_key":1100,"_type":22,"marks":1101,"text":699},"401ac9130ab1",[698],{"_key":1103,"_type":22,"marks":1104,"text":1105},"483207c3802c",[]," presenta esposiciones distribuyíes en 11 sedes d’Avilés y un programa públicu qu’activa 15 espacios del territoriu. Amás, propón otres llinies de trabayu qu’amplíen el so algame: la reconversión d’equipamientos públicos al traviés de proyectos d’arquitectura participativa, l’acompañamientu a práctiques comunitaries n’ámbitu rural cola investigación ",{"_key":1107,"_type":22,"marks":1108,"text":839},"ad9d2d386368",[698],{"_key":1110,"_type":22,"marks":1111,"text":1112},"8f494b8266c2",[]," y esperimentos d’arte + educación.",[],{"_key":1115,"_type":18,"children":1116,"markDefs":1128,"style":26},"5e6a836e23f5",[1117,1121,1124],{"_key":1118,"_type":22,"marks":1119,"text":1120},"5511252c08e4",[],"Con esta diversidá de llinies de trabayu, ",{"_key":1122,"_type":22,"marks":1123,"text":699},"d4e0c8577168",[698],{"_key":1125,"_type":22,"marks":1126,"text":1127},"db7dea1d89e1",[]," quier ampliar l’algame temporal del formatu bienal. El trabayu coles y colos artistes desplegóse en temporalidaes distintes qu’esceden el marcu del eventu. Nun compromisu cola práctica y esperimentación artística, la bienal llanza un programa de producción ACTS (arte, ciencia, tecnoloxía y sociedá). Vincúlase tamién cola Colección Estatal d’Arte y Clima cola incorporación d’obres de la bienal al conxuntu. Amás, incorpora adaptaciones de proyectos en marcha o procesos de creación n’estaos mui primeros y onde’l so desenvolvimientu va esceder la clausura de la primer edición de la bienal. ",[],{"_key":1130,"_type":18,"children":1131,"markDefs":1139,"style":26},"90db62226645",[1132,1135],{"_key":1133,"_type":22,"marks":1134,"text":699},"5c5335d2464b",[698],{"_key":1136,"_type":22,"marks":1137,"text":1138},"1647d68b8ae2",[]," propón asina un exerciciu de “andar en constelación” que nun s’atién a un tiempu y rumbu únicos, atendiendo a les rellaciones que nos caltienen y a los saberes qu’emerxen nel tránsitu. Les constelaciones nun indiquen un destín final: dexen orientase de la que s’avanza, calteniendo vivos los vínculos ente cuerpos, territorios, práctiques y tiempos diversos.",[],{"_key":1141,"_type":18,"children":1142,"markDefs":1209,"style":26},"7cf8a7ff8c7d",[1143,1147,1150,1154,1157,1160,1163,1166,1169,1173,1176,1180,1183,1187,1190,1194,1197,1201,1205],{"_key":1144,"_type":22,"marks":1145,"text":1146},"13e168d81597",[],"Al traviés d’estes constelaciones espositives, de programes públicos, educativos o de tresformación d’equipamientos públicos, la ",{"_key":1148,"_type":22,"marks":1149,"text":699},"62e72efe2d9d",[698],{"_key":1151,"_type":22,"marks":1152,"text":1153},"fa142866fc46",[]," axunta a más de cuarenta artistes y colectivos, con obres que se desplieguen en contestos urbanos, periurbanos y rurales en trés exas temátiques: ",{"_key":1155,"_type":22,"marks":1156,"text":888},"7ae3b8751b52",[698],{"_key":1158,"_type":22,"marks":1159,"text":892},"633ceea8db0c",[],{"_key":1161,"_type":22,"marks":1162,"text":896},"931a3c255ac9",[698],{"_key":1164,"_type":22,"marks":1165,"text":900},"3568319ae3fb",[],{"_key":1167,"_type":22,"marks":1168,"text":904},"30ee354b2bb8",[698],{"_key":1170,"_type":22,"marks":1171,"text":1172},"44241199a7bf",[]," D’un llau, ",{"_key":1174,"_type":22,"marks":1175,"text":888},"27f5d8c5ea62",[698],{"_key":1177,"_type":22,"marks":1178,"text":1179},"cfdc228bcc19",[]," propón formes nueves d’observar, interpretar y comunicar lo atmosférico nun contestu d’emerxencia ambiental. Los proyectos de la ",{"_key":1181,"_type":22,"marks":1182,"text":888},"fde056f90ed9",[698],{"_key":1184,"_type":22,"marks":1185,"text":1186},"583145a4ae67",[]," surden de residencies artístiques desenvueltes en diálogu cola Axencia Estatal de Meteoroloxía (AEMET) y otros organismos científicos. Otramiente, ",{"_key":1188,"_type":22,"marks":1189,"text":896},"8fd09ef8587d",[698],{"_key":1191,"_type":22,"marks":1192,"text":1193},"e2a066d280e4",[]," indaga nel heriedu y futuros posibles de la mayor actividá humana facedora de clima a nivel global, la industria. Distribuyida ente espacios vinculaos a la historia minera, industrial y productiva d’Avilés, ",{"_key":1195,"_type":22,"marks":1196,"text":896},"a442941eb611",[698],{"_key":1198,"_type":22,"marks":1199,"text":1200},"fde863382319",[]," axunta práctiques artístiques qu’examinen los imaxinarios de progresu, transición enerxética y sostenibilidá, amás de les sos tensiones materiales, sociales y simbóliques. A lo último, ",{"_key":1202,"_type":22,"marks":1203,"text":1204},"13e19e2627e2",[698],"Duelos y Júbilos",{"_key":1206,"_type":22,"marks":1207,"text":1208},"da752d381cbd",[]," refierse a lo que nos enconta física y espiritualmente, a la dimensión afectiva y sensible de les transiciones: aquello que se pierde, lo que duel, pero tamién lo que se celebra y s’imaxina colectivamente. ",[],{"_key":1211,"_type":18,"children":1212,"markDefs":1217,"style":26},"76aa039db42e",[1213],{"_key":1214,"_type":22,"marks":1215,"text":1216},"228df3cc3b00",[],"Esti conxuntu diversu de práctiques —locales y internacionales, individuales y colectives— y temes nun proponen un rellatu únicu sobre’l clima ambiental y social, sinón un campu de rellaciones onde arte, territoriu y comunidá se entellacen. La Bienal Climática formúlase asina como un espaciu pa ensayar otres formes d’atención, convivencia y curiáu, entendiendo les transiciones non como un horizonte zarráu, sinón como un procesu compartíu que se construye en común.",[],{"_key":1219,"_type":18,"children":1220,"markDefs":1224,"style":26},"5420e3aa12b7",[1221],{"_key":1222,"_type":22,"marks":1223,"text":953},"6c81b2f1f217",[689],[],{"_key":1226,"_type":18,"children":1227,"markDefs":1232,"style":26},"3d0ba871f17a",[1228],{"_key":1229,"_type":22,"marks":1230,"text":1231},"6f2f4a908dae",[689],"Directora Artística, Bienal Climática: arte, industria y 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