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Este nombre refleja la filosofía de la bienal: explorar los momentos de transición y cambio donde lo que parecía estable deja de serlo, y el futuro aún no se puede definir con claridad.",[],{"_key":706,"_type":18,"children":707,"markDefs":719,"style":26},"2ebdf9d3431b",[708,712,715],{"_key":709,"_type":22,"marks":710,"text":711},"fd23643c372d",[],"La directora artística, Amanda Masha Caminals, explica: “",{"_key":713,"_type":22,"marks":714,"text":699},"feff59a4815b",[698],{"_key":716,"_type":22,"marks":717,"text":718},"24aeb8c4b933",[]," propone aceptar la incertidumbre como terreno de acción, sin resignarse a esperar la catástrofe. La Bienal concibe el arte como guía de paso, capaz de abrir preguntas, señalar fricciones y proponer modos sensibles de orientarse en escenarios donde no existen mapas definitivos”.",[],{"_key":721,"_type":18,"children":722,"markDefs":727,"style":26},"bd30b787641f",[723],{"_key":724,"_type":22,"marks":725,"text":726},"e968ca2784f8",[],"Durante más de tres meses, Avilés se transformará en un escenario abierto a exposiciones, encuentros, talleres y acciones performativas que conectan arte, industria y territorio. La primera edición se desplegará en 8 espacios expositivos, confirmados hasta la fecha, y otros espacios públicos, incluyendo proyectos de arquitectura participativa, programas educativos y actividades comunitarias, invitando a experimentar nuevas formas de convivencia y cuidado frente a los retos ambientales y sociales.",[],{"_key":729,"_type":18,"children":730,"markDefs":735,"style":26},"b9464e53bf05",[731],{"_key":732,"_type":22,"marks":733,"text":734},"44231eef7994",[],"",[],{"_key":737,"_type":18,"children":738,"markDefs":758,"style":759},"ff307715d4f2",[739,743,747,751,754],{"_key":740,"_type":22,"marks":741,"text":742},"789b5222f9cf",[689],"Texto curatorial y conceptualización del título de la",{"_key":744,"_type":22,"marks":745,"text":746},"d2e62cee4097",[]," ",{"_key":748,"_type":22,"marks":749,"text":750},"db6b6aea5fe7",[689],"1.ª",{"_key":752,"_type":22,"marks":753,"text":746},"2c10d92550a1",[],{"_key":755,"_type":22,"marks":756,"text":757},"c862b749df29",[689],"edición",[],"h3",{"_key":761,"_type":18,"children":762,"markDefs":766,"style":759},"4fade77ecb27",[763],{"_key":764,"_type":22,"marks":765,"text":699},"b1b84bca2da2",[689,698],[],{"_key":768,"_type":18,"children":769,"markDefs":774,"style":26},"ed90c32b6233",[770],{"_key":771,"_type":22,"marks":772,"text":773},"d22cb4701f2d",[],"Las sociedades no cambian siguiendo trayectorias claras o recorridos únicos. Las transformaciones profundas —ecológicas, sociales, tecnológicas, culturales— se viven más bien como el cruce de umbrales: momentos de inestabilidad en los que lo que parecía sostener el mundo deja de hacerlo y lo que vendrá aún no puede formularse con nitidez. Habitamos un tiempo de transiciones múltiples, donde el clima no remite sólo a la atmósfera y a sus alteraciones físicas, sino también al clima social que respiramos: las formas de convivencia, de conflicto, de cuidado y de imaginación colectiva que atraviesan nuestras vidas. No habitamos un solo clima, sino muchos climas superpuestos: ambientales, sociales, políticos, afectivos y espirituales, que nos atraviesan y nos transforman.",[],{"_key":776,"_type":18,"children":777,"markDefs":782,"style":26},"b7c1281856db",[778],{"_key":779,"_type":22,"marks":780,"text":781},"2eada4356b73",[],"Desde tiempos ancestrales, el arte ha acompañado este tipo de momentos. Mucho antes de convertirse en disciplina o institución, ha sido y es una de las prácticas humanas fundamentales para atravesar el cambio: rituales, imágenes, relatos y gestos que han ayudado a múltiples y diversas comunidades a reorganizar su relación con el territorio, con el tiempo, con lo desconocido. En civilizaciones antiguas y saberes vernáculos contemporáneos, las prácticas artísticas se vinculan a los ciclos climáticos o a la construcción de vínculos entre lo humano y lo no humano. En todos estos contextos y a través de los siglos, el arte no ha ofrecido soluciones técnicas o respuestas nítidas, pero sí orientación difusa.",[],{"_key":784,"_type":18,"children":785,"markDefs":790,"style":26},"4dd45d62b1c0",[786],{"_key":787,"_type":22,"marks":788,"text":789},"f85762f01499",[],"La Bienal Climática concibe el arte como una práctica de acompañamiento en la que las y los artistas operan como guías de paso, capaces de abrir preguntas, señalar fricciones, mostrar lo oculto o proponer modos sensibles de orientarse en escenarios donde no existen mapas definitivos. Frente a un relato dominante que insiste en el agotamiento social y el colapso ambiental como lo esperado, la Bienal Climática apunta, a través del arte, hacia una energía contraria: modos de pensar y hacer que ensayan presentes más justos y habitables.",[],{"_key":792,"_type":18,"children":793,"markDefs":813,"style":26},"36bf06ed54cc",[794,798,802,806,809],{"_key":795,"_type":22,"marks":796,"text":797},"01f6f09a1b48",[],"Bajo el título ",{"_key":799,"_type":22,"marks":800,"text":801},"71b6e1f73ea4",[698],"Ensayar lo inesperado,",{"_key":803,"_type":22,"marks":804,"text":805},"98b52e92f551",[]," la primera edición de la Bienal Climática señala la posibilidad de crear espacios de encuentro, escucha y experimentación a través del arte, capaces de sobreponerse a la urgencia ambiental o la polarización. “Ensayar” se plantea aquí como un aprendizaje compartido, un gesto que se despliega en acción y en diálogo con otros. “Lo inesperado” abre un campo de posibilidades: prácticas, imaginarios y modos de vida que surgen del presente y proyectan nuevas formas de habitar juntas/os el mundo. 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La aproximación al contexto se ha construido de forma colectiva desde la escucha y el diálogo, a través de herramientas como una cartografía crítica elaborada por la artista Elisa Cuesta o de procesos de mediación cultural con organizaciones locales guiada por la investigadora comisarial Zoe López y del propio proceso creativo de distintas artistas, acompañado por esta dirección artística y las investigadoras comisariales Carla Jaria y Elena Mataix. Desde este enfoque, la bienal no se entiende como un dispositivo que impone un relato o un nuevo proyecto, sino como un medio reactivo que acompaña y amplifica lo que ya está en marcha.",[],{"_key":823,"_type":18,"children":824,"markDefs":844,"style":26},"f82fa410fc6d",[825,829,832,836,840],{"_key":826,"_type":22,"marks":827,"text":828},"9d8226f40dd0",[],"A partir de estos ejercicios de aproximación al contexto local y de atención al momento global, ",{"_key":830,"_type":22,"marks":831,"text":699},"7498a60957ee",[698],{"_key":833,"_type":22,"marks":834,"text":835},"b62747e5ecca",[]," presenta exposiciones distribuidas en 11 sedes confirmadas de Avilés y su entorno, y un programa público que activa diversos espacios del territorio. Además, propone otras líneas de trabajo que amplían su alcance: la reconversión de equipamientos públicos a través de proyectos de arquitectura participativa, el acompañamiento a prácticas comunitarias en el ámbito rural con la investigación ",{"_key":837,"_type":22,"marks":838,"text":839},"f507105336af",[698],"En Colectivo",{"_key":841,"_type":22,"marks":842,"text":843},"cb74c41bd3dd",[]," y experimentos de arte+educación.",[],{"_key":846,"_type":18,"children":847,"markDefs":859,"style":26},"b3b73056a872",[848,852,855],{"_key":849,"_type":22,"marks":850,"text":851},"f2a1b6164786",[],"Con esta diversidad de líneas de trabajo, ",{"_key":853,"_type":22,"marks":854,"text":699},"24cfeda974e7",[698],{"_key":856,"_type":22,"marks":857,"text":858},"8bd37e1bbbe7",[]," pretende ampliar el alcance temporal del formato bienal. El trabajo con las y los artistas se ha desplegado en distintas temporalidades que exceden el marco del evento. En un compromiso con la práctica y experimentación artística, la bienal lanza un programa de producción ACTS (arte, ciencia, tecnología y sociedad). Se vincula también con la Colección Estatal de Arte y Clima con la incorporación de obras de la bienal al acervo. Además, incorpora adaptaciones de proyectos en marcha o procesos de creación en estados muy iniciales y cuyo desarrollo excederá la clausura de la primera edición de la bienal. ",[],{"_key":861,"_type":18,"children":862,"markDefs":870,"style":26},"1c73a797fc0d",[863,866],{"_key":864,"_type":22,"marks":865,"text":699},"3d681b5674c8",[698],{"_key":867,"_type":22,"marks":868,"text":869},"54b02724d662",[]," propone así un ejercicio de “andar en constelación” que no se ciñe a un tiempo y rumbo únicos, atendiendo a las relaciones que nos sostienen y a los saberes que emergen en el tránsito. Las constelaciones no señalan un destino final: permiten orientarse mientras se avanza, manteniendo vivos los vínculos entre cuerpos, territorios, prácticas y tiempos diversos.",[],{"_key":872,"_type":18,"children":873,"markDefs":938,"style":26},"d640a8887b6c",[874,878,881,885,889,893,897,901,905,909,912,916,919,923,926,930,934],{"_key":875,"_type":22,"marks":876,"text":877},"99ace2e5f862",[],"A través de estas constelaciones expositivas, de programas públicos, educativos o de transformación de equipamientos públicos, la ",{"_key":879,"_type":22,"marks":880,"text":699},"86ba9dc41db5",[698],{"_key":882,"_type":22,"marks":883,"text":884},"40b232e88bef",[]," reúne a más de cuarenta artistas y colectivos, cuyas obras se despliegan en contextos urbanos, periurbanos y rurales en tres ejes temáticos: ",{"_key":886,"_type":22,"marks":887,"text":888},"05c9441025e3",[698],"Estación Meteo",{"_key":890,"_type":22,"marks":891,"text":892},"714bb113d197",[],", ",{"_key":894,"_type":22,"marks":895,"text":896},"62f810f7b27a",[698],"Industrias Presentes",{"_key":898,"_type":22,"marks":899,"text":900},"e36b2ad5cf1a",[]," y ",{"_key":902,"_type":22,"marks":903,"text":904},"6dd41e0ccd5f",[698],"Duelos y Júbilos.",{"_key":906,"_type":22,"marks":907,"text":908},"1438dc7d939f",[]," De un lado, ",{"_key":910,"_type":22,"marks":911,"text":888},"df8505494351",[698],{"_key":913,"_type":22,"marks":914,"text":915},"9086325ff21f",[]," propone nuevas formas de observar, interpretar y comunicar lo atmosférico en un contexto de emergencia ambiental. Los proyectos de la ",{"_key":917,"_type":22,"marks":918,"text":888},"fb2f2a8ac445",[698],{"_key":920,"_type":22,"marks":921,"text":922},"9c19d52b3104",[]," surgen de residencias artísticas desarrolladas en diálogo con la Agencia Estatal de Meteorología (AEMET) y otros organismos científicos. De otro, Industrias Presentes indaga en el legado y futuros posibles de la mayor actividad humana hacedora de clima a nivel global, la industria. Distribuida entre espacios vinculados a la historia minera, industrial y productiva de Avilés, ",{"_key":924,"_type":22,"marks":925,"text":896},"feb12035e60c",[698],{"_key":927,"_type":22,"marks":928,"text":929},"ec1d3166f749",[]," reúne prácticas artísticas que examinan los imaginarios de progreso, transición energética y sostenibilidad, así como sus tensiones materiales, sociales y simbólicas. Por último, ",{"_key":931,"_type":22,"marks":932,"text":933},"5eb38453391d",[698],"Duelos y júbilos",{"_key":935,"_type":22,"marks":936,"text":937},"1e3810aab425",[]," se refiere a lo que nos sustenta física y espiritualmente, a la dimensión afectiva y sensible de las transiciones: aquello que se pierde, lo que duele, pero también lo que se celebra y se imagina colectivamente. ",[],{"_key":940,"_type":18,"children":941,"markDefs":946,"style":26},"feeaaf70988d",[942],{"_key":943,"_type":22,"marks":944,"text":945},"8809e10e4c3c",[],"Este conjunto diverso de prácticas —locales e internacionales, individuales y colectivas— y temas no proponen un relato único sobre el clima ambiental y social, sino un campo de relaciones donde arte, territorio y comunidad se entrelazan. La Bienal Climática se formula así como un espacio para ensayar otras formas de atención, convivencia y cuidado, entendiendo las transiciones no como un horizonte cerrado, sino como un proceso compartido que se construye en común.",[],{"_key":948,"_type":18,"children":949,"markDefs":954,"style":26},"df542f85a5b1",[950],{"_key":951,"_type":22,"marks":952,"text":953},"83a93ea0a5a3",[689],"Amanda Masha Caminals",[],{"_key":956,"_type":18,"children":957,"markDefs":962,"style":26},"5ecf30e0d475",[958],{"_key":959,"_type":22,"marks":960,"text":961},"e64f547e5e50",[689],"Directora Artística, Bienal Climática: arte, industria y territorio",[],[964,980,995,1003,1010,1018,1025,1033,1041,1049,1057,1065,1073,1081,1089,1097,1105,1113,1121,1129,1137,1145],{"_key":965,"_type":18,"children":966,"markDefs":979,"style":26},"058b74c90086",[967,971,975],{"_key":968,"_type":22,"marks":969,"text":970},"21c7e7da174e",[],"The Climate Biennial: Art, Industry, and Territory will hold its first edition from June 12 to September 20, 2026, in Avilés, Asturias, under the title ",{"_key":972,"_type":22,"marks":973,"text":974},"b0256ed88575",[698],"Rehearsing the Unexpected",{"_key":976,"_type":22,"marks":977,"text":978},"a81e64b0db63",[],". This name reflects the biennial’s philosophy: exploring moments of transition and change where what once seemed stable no longer is, and the future cannot yet be clearly defined.",[],{"_key":981,"_type":18,"children":982,"markDefs":994,"style":26},"fd9d61795c6b",[983,987,990],{"_key":984,"_type":22,"marks":985,"text":986},"31334429e4df",[],"Artistic director Amanda Masha Caminals explains: “",{"_key":988,"_type":22,"marks":989,"text":974},"9f982fb54285",[698],{"_key":991,"_type":22,"marks":992,"text":993},"c89f5dc678ec",[]," proposes embracing uncertainty as a field of action, without resigning ourselves to waiting for catastrophe. The Biennial sees art as a guiding tool, capable of raising questions, highlighting tensions, and proposing sensitive ways to navigate scenarios where no definitive maps exist.”",[],{"_key":996,"_type":18,"children":997,"markDefs":1002,"style":26},"901753ef0e3d",[998],{"_key":999,"_type":22,"marks":1000,"text":1001},"aff2d5e3d3f8",[],"For over three months, Avilés will transform into an open stage for exhibitions, meetings, workshops, and performative actions that connect art, industry, and territory. The first edition will unfold across eight confirmed exhibition spaces and additional public venues, including participatory architecture projects, educational programs, and community activities, inviting visitors to experience new forms of coexistence and care in response to environmental and social challenges.",[],{"_key":1004,"_type":18,"children":1005,"markDefs":1009,"style":26},"535f9da198c0",[1006],{"_key":1007,"_type":22,"marks":1008,"text":734},"84c33565cb9d",[],[],{"_key":1011,"_type":18,"children":1012,"markDefs":1017,"style":759},"714837ca09a5",[1013],{"_key":1014,"_type":22,"marks":1015,"text":1016},"99e5f6395d7a",[689],"Curatorial text and conceptualisation of the title of the first edition.",[],{"_key":1019,"_type":18,"children":1020,"markDefs":1024,"style":759},"e9bf9ebc187b",[1021],{"_key":1022,"_type":22,"marks":1023,"text":974},"1db398036bbb",[689,698],[],{"_key":1026,"_type":18,"children":1027,"markDefs":1032,"style":26},"9b2b0451c04e",[1028],{"_key":1029,"_type":22,"marks":1030,"text":1031},"906f294f844b",[],"Societies do not change following clear trajectories or single paths. Profound transformations -ecological, social, technological, cultural- are experienced rather as the crossing of thresholds: moments of instability in which what seemed to sustain the world ceases to do so and what is to come cannot yet be formulated clearly.",[],{"_key":1034,"_type":18,"children":1035,"markDefs":1040,"style":26},"b147ca5c4a1d",[1036],{"_key":1037,"_type":22,"marks":1038,"text":1039},"7b2378943e62",[],"We live in a time of multiple transitions, where the climate refers not only to the atmosphere and its physical alterations, but also to the social climate that we breathe: the forms of coexistence, of conflict, of care, and of collective imagination that run through our lives. We do not inhabit a single climate, but many overlapping climates: environmental, social, political, affective and spiritual, which pierce through us and transform us.",[],{"_key":1042,"_type":18,"children":1043,"markDefs":1048,"style":26},"4aaa9153ae81",[1044],{"_key":1045,"_type":22,"marks":1046,"text":1047},"2f5be7d3d04c",[],"Since ancient times, art has accompanied this type of moments. Long before becoming a discipline or institution, it has been and is one of the fundamental human practices to go through change: rituals, images, stories and gestures that have helped multiple and diverse communities to reorganise their relationship with the territory, with time, with the unknown. In ancient civilisations and contemporary vernacular knowledge, artistic practices are linked to climate cycles or to building links between the human and the non-human world. In all these contexts and through the centuries, art has not offered technical solutions or clear answers, but diffuse orientation.",[],{"_key":1050,"_type":18,"children":1051,"markDefs":1056,"style":26},"ef17f943bc66",[1052],{"_key":1053,"_type":22,"marks":1054,"text":1055},"4c21d243fe50",[],"The Climate Biennial conceives art as a support practice by which artists operate as step-through guides, capable of bringing up questions, pointing out frictions, exposing hidden issues, or presenting sensitive ways to navigate scenarios where there are no definitive maps. In the face of a dominant narrative that insists that social exhaustion and environmental collapse are to be expected, the Climate Biennial points —through art— towards the opposite energy: ways of thinking and doing that rehearse fairer and more habitable current times.",[],{"_key":1058,"_type":18,"children":1059,"markDefs":1064,"style":26},"d18bc0e93810",[1060],{"_key":1061,"_type":22,"marks":1062,"text":1063},"87634e53499b",[],"Under the title Rehearsing the Unexpected, the first edition of the Climate Biennial sates that spaces to meet, listen and experiment can be created through art, and they are capable of overcoming environmental urgency or polarisation. «Rehearsing” is presented here as a shared learning, a gesture that unfolds into action and in dialogue with others. «The Unexpected» opens up a field of possibilities: practices, collective stereotypes and ways of life that emerge from the present and lay out new ways of inhabiting the world together.",[],{"_key":1066,"_type":18,"children":1067,"markDefs":1072,"style":26},"9dbbc21f1fb1",[1068],{"_key":1069,"_type":22,"marks":1070,"text":1071},"80399f4dca8c",[],"Rehearsing the Unexpected proposes accepting uncertainty as a field of action, instead of giving up and waiting for the catastrophe.",[],{"_key":1074,"_type":18,"children":1075,"markDefs":1080,"style":26},"01d147fd8bb8",[1076],{"_key":1077,"_type":22,"marks":1078,"text":1079},"4731c5c1bf73",[],"In its first edition, this rehearsal of the unexpected unfolds in Avilés and in different rural enclaves in Asturias; A territory with an intense mining and industrial history, still open reconversion and decarbonisation processes, and rural areas that support other forms of relationships with the land throughout. The approach to the context has been built collectively by listening and through discussion, by means of tools such as a critical cartography prepared by the artist Elisa Cuesta, or cultural mediation processes with local organisations guided by the curatorial researcher Zoe López, and the creative process of different artists, accompanied by this art direction and the curatorial researchers Carla Jaria and Elena Mataix. From this approach, the biennial is not understood as a device imposing a narrative or a new project, but as a reactive medium that accompanies and amplifies what is already underway.",[],{"_key":1082,"_type":18,"children":1083,"markDefs":1088,"style":26},"9cce70459296",[1084],{"_key":1085,"_type":22,"marks":1086,"text":1087},"bbeb8a33781e",[],"«Spirit, rehearse the journeys of the body that are to come…». See Ursula K. Le Guin, «Come to dust”, So far so good, Copper Canyon Press, 2018",[],{"_key":1090,"_type":18,"children":1091,"markDefs":1096,"style":26},"03c46ec45b6e",[1092],{"_key":1093,"_type":22,"marks":1094,"text":1095},"07dfaf1fa99a",[],"From these exercises of approximation to the local context and of attention to the global moment, Rehearsing the Unexpected presents exhibitions distributed in 11 venues in Avilés and a public programme that activates 15 spaces in the territory. In addition, it proposes other lines of work that expand its scope: the reconversion of public facilities through participatory architecture projects, the support to community practices in the rural area with the En Colectivo research, and art + education experiments.",[],{"_key":1098,"_type":18,"children":1099,"markDefs":1104,"style":26},"7d07cbc58ad0",[1100],{"_key":1101,"_type":22,"marks":1102,"text":1103},"89567705a3ec",[],"With such diversity of lines of work, Rehearsing the Unexpected aims to expand the temporal scope of the biennial format. The work with the artists has unfolded in different time periods that exceed the framework of the event. In a commitment to artistic practice and experimentation, the biennial launches an ACTS (Art, Science, Technology and Society) production programme.",[],{"_key":1106,"_type":18,"children":1107,"markDefs":1112,"style":26},"5232cb982c48",[1108],{"_key":1109,"_type":22,"marks":1110,"text":1111},"5573f2b24511",[],"It is also linked to the National Art and Climate Collection with the incorporation of works from the biennial to the acquis. In addition, it incorporates adaptations of ongoing projects or creation processes in very early stages, and whose development will exceed the closing of the first edition of the biennial.",[],{"_key":1114,"_type":18,"children":1115,"markDefs":1120,"style":26},"b7320301920b",[1116],{"_key":1117,"_type":22,"marks":1118,"text":1119},"56ff2ee35200",[],"Thus, Rehearsing the Unexpected proposes an exercise of «walking in constellation” not constricted to a single time period and direction, paying attention to the relationships that sustain us and to the knowledge that emerges on the way. The constellations do not indicate a final destination: they allow to find the way while advancing, keeping the links between different bodies, territories, practices and times alive.",[],{"_key":1122,"_type":18,"children":1123,"markDefs":1128,"style":26},"78140e44a774",[1124],{"_key":1125,"_type":22,"marks":1126,"text":1127},"ebc011f31ce7",[],"Through these exhibitory constellations, public, educational programmes, or programmes for the transformation of public facilities, Rehearsing the Unexpected brings together over forty artists and collectives, whose works are displayed in urban, peri-urban and rural contexts in three thematic axes: Weather Station, Present Industries and Grieve and Joy. On the one hand, Weather Station proposes new ways of observing, interpreting and communicating atmospheric issues in a context of environmental emergency. Weather station projects originate from art residencies carried out in dialogue with the National Meteorological Agency (AEMET, by its acronym in Spanish) and other scientific bodies. On the other hand, Present Industries investigates the legacy and possible futures of the greatest global climate-making human activity, the industry. Distributed among spaces linked to the mining, industrial and productive history of Avilés, Present Industries brings together artistic practices that examine the progress, energy transition, and sustainability collective stereotypes, as well as their material, social and symbolic tensions. Finally, Grieve and Joy refers to that which sustains us physically and spiritually, to the affective and sensitive dimension of transitions: what is lost, what hurts, but also what is celebrated and imagined collectively.",[],{"_key":1130,"_type":18,"children":1131,"markDefs":1136,"style":26},"4d4f24e65dc2",[1132],{"_key":1133,"_type":22,"marks":1134,"text":1135},"5be8399e865b",[],"This diverse set of practices —local and international, individual and collective— and subjects does not propose a sole narrative about the environmental and social climate, but a field of relationships where art, territory and community are intertwined. The Climate Biennial is thus formulated as a space to rehearse other forms of attention, coexistence and care, understanding transitions not as a closed horizon, but as a shared processes built in common.",[],{"_key":1138,"_type":18,"children":1139,"markDefs":1144,"style":26},"ce572f4a6888",[1140],{"_key":1141,"_type":22,"marks":1142,"text":1143},"98d09582d3b3",[689],"-Amanda Masha Caminals-",[],{"_key":1146,"_type":18,"children":1147,"markDefs":1152,"style":26},"c3c0a0e6e85f",[1148],{"_key":1149,"_type":22,"marks":1150,"text":1151},"e105ddafcb07",[689],"Art Director, Climate Biennial: Art, industry and territory",[],"2026-02-10",{"asset":1155,"crop":7,"hotspot":7},{"altText":7,"metadata":1156,"originalFilename":673,"url":674},{"_type":72,"blurHash":647,"dimensions":1157,"hasAlpha":79,"isOpaque":80,"lqip":652,"palette":1158,"thumbHash":672},{"_type":75,"aspectRatio":649,"height":650,"width":651},{"_type":83,"darkMuted":1159,"darkVibrant":1160,"dominant":1161,"lightMuted":1162,"lightVibrant":1163,"muted":1164,"vibrant":1165},{"_type":85,"background":655,"foreground":87,"population":95,"title":87},{"_type":85,"background":657,"foreground":87,"population":658,"title":87},{"_type":85,"background":660,"foreground":87,"population":661,"title":87},{"_type":85,"background":663,"foreground":98,"population":664,"title":98},{"_type":85,"background":666,"foreground":98,"population":667,"title":87},{"_type":85,"background":669,"foreground":87,"population":670,"title":87},{"_type":85,"background":660,"foreground":87,"population":661,"title":87},[1167,1186,1224],{"date":1153,"featuredImage":1168,"slug":1180,"slug___en":1182,"title":1184,"title___en":1185},{"asset":1169,"crop":7,"hotspot":7},{"altText":7,"metadata":1170,"originalFilename":673,"url":674},{"_type":72,"blurHash":647,"dimensions":1171,"hasAlpha":79,"isOpaque":80,"lqip":652,"palette":1172,"thumbHash":672},{"_type":75,"aspectRatio":649,"height":650,"width":651},{"_type":83,"darkMuted":1173,"darkVibrant":1174,"dominant":1175,"lightMuted":1176,"lightVibrant":1177,"muted":1178,"vibrant":1179},{"_type":85,"background":655,"foreground":87,"population":95,"title":87},{"_type":85,"background":657,"foreground":87,"population":658,"title":87},{"_type":85,"background":660,"foreground":87,"population":661,"title":87},{"_type":85,"background":663,"foreground":98,"population":664,"title":98},{"_type":85,"background":666,"foreground":98,"population":667,"title":87},{"_type":85,"background":669,"foreground":87,"population":670,"title":87},{"_type":85,"background":660,"foreground":87,"population":661,"title":87},{"_type":126,"current":1181},"la-1-a-bienal-climatica-anuncia-sus-fechas",{"_type":126,"current":1183},"1st-edition-of-the-climate-biennial-announces-its-dates","La 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