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se mide, documenta y aprende del proceso, combinando datos, relatos, impactos y espacios de contraste.",[],"Indicadores y evaluación",{"_type":808,"desktop":839,"mobile":810},{"_type":759,"anchor":841,"button":960,"extra":844,"items":962,"text":7,"title":841},{"link":961,"title":7},{"anchor":7,"href":7,"internalLink":7,"isInternalLink":79,"title":7},[963,1075,1161],{"mainTextModal":964,"media":988,"referenceModal":7,"text":1033,"textModal":1049,"title":1065},[965,972,980],{"_key":966,"_type":18,"children":967,"markDefs":971,"style":26},"d6aad2c636ab",[968],{"_key":969,"_type":22,"marks":970,"text":828},"72a172398035",[],[],{"_key":973,"_type":18,"children":974,"markDefs":979,"style":26},"70eabe9e0189",[975],{"_key":976,"_type":22,"marks":977,"text":978},"7d17cb9189d4",[],"La meteorología es una herramienta fundamental: organiza la vida cotidiana, permite anticipar catástrofes y nos acompaña frente a la emergencia ambiental. Pero observar el tiempo no es una capacidad natural ni neutral: es una práctica entrenada e instrumentada. A la tradición científica se suman, con una historia que la precede, saberes vernáculos y rurales como formas de conocimiento del medio que han orientado históricamente actividades agropecuarias, la navegación y la vida cotidiana. La observación del comportamiento de los animales, la forma de las nubes o la dirección del viento. Las formas con las que observamos el tiempo moldean, en suma, la relación que mantenemos con la atmósfera.",[],{"_key":981,"_type":18,"children":982,"markDefs":987,"style":26},"af4e72933314",[983],{"_key":984,"_type":22,"marks":985,"text":986},"785f1164e599",[],"\n",[],{"asset":989,"autoplay":79,"caption":1018,"crop":7,"hotspot":7,"videoType":7,"videoUrl":7},{"altText":7,"metadata":990,"originalFilename":1016,"url":1017},{"_type":72,"blurHash":991,"dimensions":992,"hasAlpha":79,"isOpaque":80,"lqip":996,"palette":997,"thumbHash":1015},"MAI%B@x^WAx]WU?wRjRPofaebEWAt8axof",{"_type":75,"aspectRatio":993,"height":994,"width":995},1.7769080234833659,1022,1816,"data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAALABQDASIAAhEBAxEB/8QAGAAAAwEBAAAAAAAAAAAAAAAAAAMEAgf/xAAdEAACAwACAwAAAAAAAAAAAAABAgADEQQhIjFR/8QAFQEBAQAAAAAAAAAAAAAAAAAAAQX/xAAVEQEBAAAAAAAAAAAAAAAAAAAAEf/aAAwDAQACEQMRAD8A6mD8mjaoXzOSbmMUQBTmkepMSTeqk9bmSsjH2ch2bUXVhF2sRYQDgEIUv//Z",{"_type":83,"darkMuted":998,"darkVibrant":1001,"dominant":1003,"lightMuted":1006,"lightVibrant":1008,"muted":1009,"vibrant":1012},{"_type":85,"background":999,"foreground":87,"population":1000,"title":87},"#466c7b",0.1,{"_type":85,"background":1002,"foreground":87,"population":864,"title":87},"#041b3c",{"_type":85,"background":1004,"foreground":98,"population":1005,"title":98},"#bce4fa",12.36,{"_type":85,"background":1007,"foreground":98,"population":284,"title":87},"#9ebccc",{"_type":85,"background":1004,"foreground":98,"population":1005,"title":98},{"_type":85,"background":1010,"foreground":87,"population":1011,"title":87},"#698da7",4.93,{"_type":85,"background":1013,"foreground":98,"population":1014,"title":87},"#8cb1cb",4.07,"sLYBBIBqeWhfhYdneojRcA7WaA==","Estación Meteo_artista Enar de Dios.webp","https://cdn.sanity.io/images/uq0joxfx/production/e8d4b558fc3636cc2fa92923e2792cab63abcb7a-1816x1022.webp",[1019],{"_key":1020,"_type":18,"children":1021,"markDefs":7,"style":26},"c50dcdd18d57",[1022,1025,1030],{"_key":1023,"_type":22,"text":1024},"6f331543c0cb","Enar de Dios Rodríguez, ",{"_key":1026,"_type":22,"marks":1027,"text":1029},"c87e0bb03b02",[1028],"em","Above all",{"_key":1031,"_type":22,"text":1032},"cec6e825f36b"," [film still]. 2025",[1034,1042],{"_key":1035,"_type":18,"children":1036,"markDefs":1041,"style":26},"f46d9923a810",[1037],{"_key":1038,"_type":22,"marks":1039,"text":1040},"fde8c6ee272a",[],"La evaluación de sostenibilidad combina herramientas cualitativas y cuantitativas: análisis de procesos, mapeo de agentes, seguimiento de indicadores, evaluación de impactos y espacios de validación con los agentes implicados. Más que centrarse únicamente en resultados finales, esta metodología busca facilitar la toma de decisiones, promover la mejora continua y generar capacidades dentro del sector cultural.",[],{"_key":1043,"_type":18,"children":1044,"markDefs":1048,"style":26},"b621f07a39d8",[1045],{"_key":1046,"_type":22,"marks":1047,"text":828},"b57248a83600",[],[],[1050,1056],{"_key":1051,"_type":18,"children":1052,"style":26},"c8809730758c",[1053],{"_key":1054,"_type":22,"text":1055},"3c268d794a60","En tiempos en que la actividad humana ha alterado el clima, la atmósfera concentra conflictos energéticos, desigualdades históricas y disputas sobre quién respira qué y en qué condiciones. La atmósfera se constituye en el acto mismo de compartirla: es el resultado de millones de cuerpos —humanos y no humanos— que la co-producen en cada respiración, y que pueden también transformarla. Para muchas artistas contemporáneas, el tiempo y el clima han dejado de ser únicamente un tema: se han convertido en el medio desde el que observar, experimentar y pensar el mundo.",{"_key":1057,"_type":18,"children":1058,"style":26},"630beaeb2ded",[1059,1062,1066,1069,1072],{"_key":1060,"_type":22,"text":1061},"403445ce6b5a","Los proyectos de ",{"_key":1063,"_type":22,"marks":1064,"text":1065},"a537d4046a47",[1028],"Estación Meteo",{"_key":1067,"_type":22,"text":1068},"047d210ef308"," desplazan la observación meteorológica hacia contextos públicos, accesibles y relacionales: reimaginar los dispositivos de medición como arquitecturas abiertas; restituir la escala humana detrás de cada predicción; desplazar el punto de vista hacia especies cuyos cuerpos registran las variaciones climáticas; escuchar el tiempo profundo del viento; o mostrar el cielo y el sol como espacios donde convergen procesos naturales, políticos y energéticos. Las artistas reunidas en ",{"_key":1070,"_type":22,"marks":1071,"text":1065},"48a83afe023e",[1028],{"_key":1073,"_type":22,"text":1074},"1d14e20a5376"," proponen, en suma, una estación meteorológica para la escucha y la atención que plantea la atmósfera como ámbito de responsabilidad colectiva.",{"mainTextModal":1076,"media":1088,"referenceModal":7,"text":1132,"textModal":1141,"title":1160},[1077,1083],{"_key":1078,"_type":18,"children":1079,"style":26},"83720bbcfb45",[1080],{"_key":1081,"_type":22,"text":1082},"62eb938d164b","¿Qué imaginamos cuando hablamos de industria hoy? Durante más de dos siglos, la industria ha producido bienes, energía y materiales, pero también imaginarios y formas de relación con el territorio; relaciones mediadas por nociones como innovación, progreso o futuro. Hoy, la transición energética, las tensiones geopolíticas y el acceso limitado a ciertas materias primas están provocando una transformación profunda en la industria: una de las principales actividades humanas que configuran el clima, pero también uno de los sectores estratégicos para la transición ecológica. De ella dependen infraestructuras, tecnologías, materiales y millones de puestos de trabajo. 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",{"_key":1130,"_type":22,"text":1131},"698cea09a1c7","Imagen procesual de la Residencia en CIUDEN. 2026",[1133],{"_key":1134,"_type":18,"children":1135,"markDefs":1140,"style":26},"ff4b8d447ebc",[1136],{"_key":1137,"_type":22,"marks":1138,"text":1139},"25c51155388c",[],"La Bienal Climática entiende la sostenibilidad desde una perspectiva sistémica. Una bienal no produce impactos aislados: forma parte de una red de relaciones culturales, sociales, territoriales, institucionales y ambientales. Por eso, además de consumos, residuos o movilidad, se analizan los cobeneficios: efectos positivos adicionales que una acción sostenible puede generar en otros ámbitos.",[],[1142,1155],{"_key":1143,"_type":18,"children":1144,"style":26},"7c8ae55fec38",[1145,1148,1152],{"_key":1146,"_type":22,"text":1147},"42ad3cd69f50","Distribuida en tres espacios vinculados a la historia siderúrgica y productiva de Avilés, ",{"_key":1149,"_type":22,"marks":1150,"text":1151},"5c6de2ad0312",[1028],"Industrias Presentes",{"_key":1153,"_type":22,"text":1154},"7d02fd40f185"," reúne la obra de una veintena de artistas locales, nacionales e internacionales que plantean una constelación de preguntas. No proponen una lectura unívoca de la industria ni un juicio cerrado sobre ella, sino un campo desde el que observar sus transformaciones contemporáneas y los procesos que las atraviesan. Imaginarios de progreso e innovación; aproximaciones a la transición energética; la memoria obrera y las nuevas configuraciones del trabajo; cuestiones de justicia climática; o las relaciones materiales que los sistemas productivos establecen con cuerpos y territorios. Buena parte de las obras se han elaborado en colaboración con comunidades locales o en procesos de investigación interdisciplinar como parte del programa de residencias ACTS (arte, ciencia, tecnología, sociedad) con la Fundación Ciudad de la Energía (CIUDEN).",{"_key":1156,"_type":18,"children":1157,"style":26},"bbc5288754c1",[1158],{"_key":1159,"_type":22,"text":986},"d5ebad72acb7","Impacto sistémico y cobeneficios",{"mainTextModal":1162,"media":1193,"referenceModal":7,"text":1235,"textModal":1251,"title":1258},[1163,1173,1179,1188],{"_key":1164,"_type":18,"children":1165,"style":26},"2261fc0a4899",[1166,1170],{"_key":1167,"_type":22,"marks":1168,"text":1169},"817c1a0aab06",[1028],"Duelos y Júbilos",{"_key":1171,"_type":22,"text":1172},"494c15e006b7"," atiende a la dimensión afectiva y espiritual de las transiciones ecosociales: a lo que se pierde y se duele, pero también a lo que se celebra e imagina colectivamente. Distribuido entre el Palacio de Camposagrado, la Antigua Pescadería, el Palacio de Valdecarzana y el parque Ferrera, el ámbito se despliega tanto en el espacio expositivo como en el programa público, a través de celebraciones, lutos y otras formas de congregación que extienden las obras hacia los cuerpos en presencia.",{"_key":1174,"_type":18,"children":1175,"style":26},"1b37c2c0723a",[1176],{"_key":1177,"_type":22,"text":1178},"67cbecfb3c3f","El ámbito se inspira en estudios recientes de psicología social y humanidades ambientales en torno a la idea de \"melancolía ambiental\": lo que orienta una transición colectiva, lo que determina si genera destrucción o apertura, si deja comunidades atrás o las convoca, depende en gran parte del estado de ánimo colectivo. Una comunidad que no ha podido elaborar sus pérdidas imagina desde el miedo o desde la nostalgia. Es desde cierta disposición para la alegría, desde la perspectiva de que las cosas pueden ir a mejor, desde la que se vuelve posible transformar el presente para construir un porvenir mejor.",{"_key":1180,"_type":18,"children":1181,"style":26},"985827a8f5d3",[1182,1185],{"_key":1183,"_type":22,"marks":1184,"text":1169},"4e484483d8ad",[1028],{"_key":1186,"_type":22,"text":1187},"306675e61cb2"," propone el arte como práctica de acompañamiento y las artistas como guías de tránsito. Las artistas reunidas abren espacios para el luto y la celebración desde el cuerpo, el rito, la memoria y la espiritualidad. Muchas de las propuestas se nutren de cosmologías no occidentales o saberes multiespecies, desde donde habilitan contextos para explorar las dimensiones íntimas y comunitarias de las transiciones contemporáneas.",{"_key":1189,"_type":18,"children":1190,"style":26},"75b7abdfb727",[1191],{"_key":1192,"_type":22,"text":986},"906a1dbfff70",{"asset":1194,"autoplay":79,"caption":1221,"crop":7,"hotspot":7,"videoType":7,"videoUrl":7},{"altText":7,"metadata":1195,"originalFilename":1219,"url":1220},{"_type":72,"blurHash":1196,"dimensions":1197,"hasAlpha":79,"isOpaque":80,"lqip":1200,"palette":1201,"thumbHash":1218},"V89@Y9%f0coHt6?@xtM}jIoxV=RjM,jJk98{Myxat7fk",{"_type":75,"aspectRatio":1198,"height":479,"width":1199},1.5,3750,"data:image/jpeg;base64,/9j/2wBDAAYEBQYFBAYGBQYHBwYIChAKCgkJChQODwwQFxQYGBcUFhYaHSUfGhsjHBYWICwgIyYnKSopGR8tMC0oMCUoKSj/2wBDAQcHBwoIChMKChMoGhYaKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCgoKCj/wAARCAANABQDASIAAhEBAxEB/8QAGAAAAwEBAAAAAAAAAAAAAAAAAAUGAgT/xAAkEAACAQMDAwUAAAAAAAAAAAABAgMABBEFEhMiMWEUIUJRcf/EABUBAQEAAAAAAAAAAAAAAAAAAAMB/8QAGhEAAgIDAAAAAAAAAAAAAAAAAAIRIQESMf/aAAwDAQACEQMRAD8AhrMaDaXKN6aTZv8AcI3YeK1qt/p08MyxwbeY4ikJ6l8VKaLI15MqSnpXOAKZPboLRyPixYftEqJrLdKi1JyrxQ5R13kHuaKUtIdxzknP3RRRkKj/2Q==",{"_type":83,"darkMuted":1202,"darkVibrant":1205,"dominant":1207,"lightMuted":1208,"lightVibrant":1211,"muted":1213,"vibrant":1216},{"_type":85,"background":1203,"foreground":87,"population":1204,"title":87},"#414e31",6.29,{"_type":85,"background":1206,"foreground":87,"population":284,"title":87},"#571425",{"_type":85,"background":1203,"foreground":87,"population":1204,"title":87},{"_type":85,"background":1209,"foreground":98,"population":1210,"title":87},"#c8bab6",5.83,{"_type":85,"background":1212,"foreground":98,"population":95,"title":98},"#d0dc9d",{"_type":85,"background":1214,"foreground":87,"population":1215,"title":87},"#76855e",5.76,{"_type":85,"background":1217,"foreground":87,"population":265,"title":87},"#6d7c2c","UfgFDYIKiKidd4hldhiGY/eObTCH","duelos y júbilos_artista Sara García.webp","https://cdn.sanity.io/images/uq0joxfx/production/c01d797d4bb9c6bc465f67c73776fb92cbd16442-3750x2500.webp",[1222],{"_key":1223,"_type":18,"children":1224,"markDefs":7,"style":26},"4de8abd4612a",[1225,1228,1232],{"_key":1226,"_type":22,"text":1227},"16d41507e644","Sara Garcia, ",{"_key":1229,"_type":22,"marks":1230,"text":1231},"eb31725c6464",[1028],"Molding Mourning Mouths ",{"_key":1233,"_type":22,"text":1234},"3f7f0a7f1ad1","[video still]. 2025",[1236,1244],{"_key":1237,"_type":18,"children":1238,"markDefs":1243,"style":26},"5e26b5c38975",[1239],{"_key":1240,"_type":22,"marks":1241,"text":1242},"80ea7136e562",[],"La metodología de sostenibilidad de la Bienal Climática no se plantea como un modelo cerrado, sino como un proceso vivo. Busca dialogar con otras iniciativas, investigaciones y marcos de trabajo vinculados a la sostenibilidad cultural, la evaluación de impacto y la transición ecológica del sector cultural. Su objetivo es compartir aprendizajes, construir herramientas comunes, generar estándares adaptables y fortalecer redes de colaboración entre instituciones, administraciones, agentes culturales, universidades y territorios.",[],{"_key":1245,"_type":18,"children":1246,"markDefs":1250,"style":26},"ebb8d9e8564b",[1247],{"_key":1248,"_type":22,"marks":1249,"text":828},"6f335ad21b10",[],[],[1252],{"_key":1253,"_type":18,"children":1254,"style":26},"6453b58708f7",[1255],{"_key":1256,"_type":22,"text":1257},"ffca0866e0a0","El Palacio de Camposagrado —antigua residencia de los marqueses del mismo nombre, cuyo título remitía a un santuario mariano leonés— reúne la escucha como umbral hacia lo que permanece fuera de la percepción; reinterpretaciones del imaginario apocalíptico como proceso de revelación; o ceremonias de despedida hacia las especies que desaparecen en silencio; o etnografías del sueño como espacio colectivo. La Bienal se abrirá y se cerrará con una reinterpretación experimental de la Noche en Danza: reuniones abiertas, donde músicos y personas con ganas de bailar reinterpretan el baile tradicional asturiano. Dos actos catárticos que proponen el júbilo colectivo como rito de paso de un mundo que está ensayando lo inesperado.","Un proceso abierto y en red",{"_type":808,"desktop":839,"mobile":810},{"_type":1261,"backgroundColor":7,"media":1262,"text":7,"textColor":7,"title":7},"builderTitleTextMedia",{"asset":7,"autoplay":79,"caption":7,"crop":7,"hotspot":7,"videoType":7,"videoUrl":7},{"_type":126,"current":590},{"_type":126,"current":590},{"_type":126,"current":590},1779478797997]