In her work, Enar de Dios Rodríguez (Ourense, 1986) explores the relationships between ecology, technology and systems of power, focusing on the processes that shape contemporary life yet often remain outside our immediate field of perception. Through audiovisual essays and installations, her work explores how infrastructure, energy systems and extractive dynamics intersect with bodies, territories and ways of inhabiting the world.

Above All and Above and Below (the Sun) explore the sky and the sun as spaces where natural, political and technological processes converge. In Above All, the air is portrayed not as a neutral void, but as a shared and fragile environment, shaped by millions of years of interaction between different forms of life. The work connects this idea to contemporary issues such as the disappearance of flying species and remote-control technologies. As regards Above and Below (the Sun), it takes a heliograph —a meteorological device that records hours of sunshine by burning a strip of paper— as its starting point to explore the link between solar energy and fossil fuels, understood as a form of "fossilised solar energy". Through text that is updated daily on an LED display, the work links historical episodes of fossil fuel.