Natalia Domínguez (Jerez de la Frontera, 1990) conducts a sculptural and performative practice centred on air, breathing and hidden infrastructures.

In Atravesar la niebla (I, II) [Through the Fog] (2026), developed as part of the ACTS (Art, Science, Technology and Society) residencies in collaboration with the National Meteorological Agency (AEMET), the artist explores water seam and its various uses throughout history. The work draws a parallel between the myth of the Garoé —a legendary tree on El Hierro capable of capturing moisture from the clouds and transforming it into water— and industrial infrastructure. The installation combines metal structures inspired by ductwork and chimneys with ceramic forms that evoke the vegetation of the Canarian laurel forest. The piece invites reflection on how modern notions of innovation and progress have historically been shaped by the technical transformation of processes already present in nature.