In his work, Víctor Mazón (Santander, 1982) explores those elements that normally remain beyond our perception: vibrations, electromagnetic fields and atmospheric phenomena that permeate our surroundings without becoming visible. Through sound and technological devices he has developed himself, the artist explores how to listen to a landscape and the changes affecting it.

In Fósiles en movimiento [Fossiles in Motion] (2026), developed as part of the ACTS (Art, Science, Technology and Society) residencies in collaboration with the National Meteorological Agency (AEMET), Mazón takes as his starting point the phenomenon of global stilling: the gradual decrease in wind speed associated with climate change. The artwork takes the form of a bronze wind chime created in collaboration with master bell-founder Abel Portilla, Spain’s last practising bell-maker. Unlike traditional bells, this one is not rung by people, but solely by the wind. Located on the Avilés estuary, the installation transforms atmospheric variations into an ever-changing soundscape, a kind of an "auditory snapshot" of the weather. At the School of Arts and Crafts, an installation comprising the moulds used in the bell foundry process and a soundscape recorded by the artist at wind farms broadens the interpretation of the work and links the deep timing of the wind with the renewable energy industry.