Vir Andrés Hera (Yauhquemehcan, Mexico, 1990) explores listening as a way of accessing that which normally lies beyond the reach of perception. Through sound, installation and performance, the artist creates spaces where memories, invisible presences and non-conventional ways of relating to the territory, to language and the spiritual coexist.

Some Ghosts Look Like Yogurt (2026) consists of a large metal structure reminiscent of an anchor, a boat or a snake. Spread out on a pink carpet are books, photographs and objects arranged as an extended research table centred on listening, dreams and spectrality. Integrated into the sculpture, two speakers emit sounds generated by geophones that pick up vibrations from the exhibition space and transform them into an altered listening experience of the surroundings. Conceived as an instrument for a ritual performance to be staged during the closing ceremony of the Climate Biennial, the work remains in a suspended state of throughout the exhibition, like a device charged with latent energy. Hera thus proposes a listening experience displaced from space: a way of attuning to signals, presences and movements passing through the environment even before they become visible.